arnaud
marquis

In 2026, I partnered with Pyxa, based in Sierre, to define and design their new brand guidelines. This foundational work successfully structured the company’s brand identity into a cohesive and professional ecosystem.

Identity & Guidelines: Creation of a simplified logo variant, definition of the brand color palette (sRGB and CMYK), and establishment of core application rules (clear space, contrast, and positioning).

Typography: Selection of the official corporate typeface and architecture of the visual text hierarchy.

Stationery & Admin: Design of a comprehensive corporate letterhead template and an official company stamp.

Digital Deployment & Assets: Design of email signatures, Instagram post templates, a custom brand pattern, and playful logo variations.

For my local pétanque club, I performed a complete digital overhaul.

Since no vector assets existed, I first meticulously recreated the original logo in Illustrator to ensure a high-resolution version for all future branding needs.

I then built a robust Drupal-based platform — laplatriere.ch — to streamline the club operations. The site features an automated event registration system that tracks capacity in real-time, an interactive ranking system for members, and a comprehensive digital archive for event history and results.

felix-sa.ch website is one of the main projects I achieved while working at FELIX Bureautique SA in Sierre, Switzerland.

The project was built using Drupal and the front-end is based off the Bootstrap framework. I worked alone on all the development phases, from the UI and UX concepts to the wireframes, from the design implementation, to the development of custom Drupal modules, from photography, to hosting management, etc.

The design guidelines were created by Ozalid Design in Sierre.

For a personal design project, I set out to find a font that captured the raw handwriting of Jean-Michel Basquiat.

Unsatisfied with existing options, I decided to create my own typeface from scratch. This was a challenging new venture for me and a deeply rewarding process.

After studying numerous handwritten documents by the artist, I recreated his signature style using felt-tip pens on paper before scanning, vectorizing, and refining the characters in Illustrator.

I designed a few illustrations for the 64^th Foire du Valais — the region’s largest fair — based off their mascots.

Commissioned by FELIX, my work was featured on promotional stickers which were distributed to the visitors throughout the event.

In 2023, FELIX initiated a brand refresh for Ecolyptus, their specialized and custom paper line.

The project involved a comprehensive overhaul of the visual identity, including a refined logo, updated typography, and a modernized packaging design.

To complement the relaunch, a dedicated landing page was developed with Vue.js to provide customers with essential guidance on paper storage, handling, and optimal usage.

In collaboration with Ozalid and Enseignex, I oversaw the vehicle wrap project for the latest delivery truck in the FELIX’s fleet, marking the group’s 50th anniversary.

My role involved defining the placement of logos and visuals, preparing all print-ready files, and supervising the entire manufacturing process — concluding with a final quality control and inspection upon delivery.

In 2023, FELIX celebrated its 50th anniversary and was featured as the guest of honor at the 63^rd Foire du Valais.

To mark this milestone, I designed a comprehensive range of promotional items, including apparel, stationery, and giveaways.

A key highlight of the project was designing the exhibition stand in cooperation with Ozalid Design, and managing the entire production workflow — overseeing everything from large-scale printing to final on-site installation.

I am a photographer driven by a passion for landscapes, architecture, and nature.

I am also a web developer specialized in content management systems, more specifically the Drupal ecosystem.

To bridge these two worlds, I designed and developed arnaudmarquis.ch — a platform that is both aesthetically refined and technically robust and which allows me to showcase my photographic work.

I met Ralph Schenk, the founder of Lumm Leuchtobjekte, at a gathering in Zurich, back in 2017.

At the time, Ralph had just begun crafting light frames and presented one of his early prototypes to me.

I was truly captivated; the visual effect was so stunning that I immediately offered to contribute to the project by leading the creative direction — developing the brand name, logo, and website — while also providing custom photography, and Ralph accepted my proposal. We quickly settled on Lumm, a name that resonated with both of us.

The logo has remained the identity of the brand ever since.